"Beer in Colorado" is dedicated to that divine elixir born of the marriage of water, malt, hops, and yeast as interpreted
by those living in Colorado. Follow the author as he visits every brewery in the state, creates experimental homebrews,
attends beer festivals, tries interesting beers from around the world, and spreads the good word of beer. Prost!

Monday, April 14, 2014

The 2014 Craft Brewers Conference: A Re-Cap

It’s okay to not be a beer geek but, like any group one is not a part of, it’s irresponsible to make assumptions about said group.  For example, I once tried to explain the symbiotic relationship between bicycles and craft beer, how there are many brewery bike tours and how brewers sometimes prefer bikes as a healthier (and safer) alternative to motor vehicles.  The person I told this to immediately presumed that brewers rode bikes because they had DUIs and lost their licenses. 

A sign of the times
Likewise, some of Colorado’s more unenlightened cannabis advocates might decry the horrors of alcohol, that more breweries means more drunk driving, more spousal abuse, and more rapists—basically the beer-version of Reefer Madness  (DISCLAIMER: not all cannabis advocates have such an acidic personality but there are enough that do for me to notice).  These foolish folks don’t realize craft breweries attract a different sort of crowd than a college frat party; beer geeks are more passionate about the beer than about its drunken effects and more breweries doesn’t necessarily mean more drinkers, it means the drinkers that already exist have more options.  Perhaps it also means these drinkers have less of a distance to bike to get to the libation they so love. 

A less detrimental stereotype of brewers is that they’re party-animals--no work, all play.  In fact, brewers are business-people like any other and, as with any business, brewers must always be educating themselves, improving their craft, and staying on top of their game.  Indeed, fun is usually had at a brewery but it’s interjected with serious business.  That good times/nose-to-the-grindstone hybrid is what Craft Brewers Conference (CBC), held in Denver’s Colorado Convention Center this past week, is all about.

Organized by the Brewers Association (BA), the CBC is a vast gathering of brewers from all corners of the nation (and quite a few from abroad, too).  It’s a place to network, to discover the latest innovations, to hone one’s skills, and, yes, to have a beer or two.  I was lucky enough to attend this year’s CBC, attend a few seminars, and walk the trade show floor.  Unfortunately, it’s such a massive event that I saw but a fraction of what CBC had to offer.  However, everybody only gets to see a fraction of CBC; it’s the nature of the beast what with several seminars all booked for the same time.  Regardless, I got a peek at the goings-on and this is my take on it.

Colorado in a can
Immediately after picking up my badge, I received a goodie bag full of press releases, schedules, and, most importantly, a royal pint can of Centennial State Pale Ale, a collaborative beer sponsored by the Colorado Brewers Guild brewed specifically for CBC attendees.  I actually had the opportunity to witness this beer being made and it was a treat to follow the beer from birth to death (i.e. me drinking it).  It’s a fantastic beer, too!  It’s a perfect example of how a hoppy beer doesn’t need to be a bitter beer.  Centennial State is full of tropical, pineapple aromas that fade to strawberry as it warms.  Those scents carry over into the flavor with a hint of peach accompanying.  It’s not a fruit beer, though; it still retains its pale ale status.  It’s just a very complex and unique interpretation of pale ale. 

The first class I took at CBC was the MicroMatic Dispense Course.  This 9am-4pm class covered everything (yes, everything) anybody would ever need to know about draft systems.  From every piece of equipment and how to dismantle it, to installation, to proper gas blends, to trouble-shooting tips, no stone was left unturned.  It was a brain-drain of information but a few points stick out in my mind.

·         100% CO2 systems are for chumps and amateurs; the pros blend it with nitro and not just for “nitro beers” like Left Hand’s Milk Stout, even regular beers have a touch of nitro in them.  CO2 alone has restrictions as to how far you can run the lines.  Also, there’s a really complicated algorithm that helps determine the exact blend of gas for any particular beer but, when my eyes saw all those numbers and calculations, my brain shut down all functions until we had moved on to something a little more comprehensible.
Quite an array at the MicroMatic course
·         Why on God’s green earth somebody would do this I do not know but, in case you ate a lot of paint chips as a kid, don’t, for the love of all things holy, store your CO2 tanks inside a walk-in cooler.  Sure, they’ll still technically work but the cold temperatures screw up the gauges.  Besides that, CO2 is poisonous.  If a tank were to spring a leak out in the open, the fumes would dissipate into nothingness.  No harm, no foul.  If, however, they leak in an enclosed space like a walk-in cooler then, buddy, you got yourself an unintentional gas chamber. 
·         Brewers take note: your glycol chiller, the contraption that keeps beer at a constant temperature when sitting in the lines, should be at eye-level and in a place you look all the time.  Why?  Because those suckers need to be clean for them to work.  If they’re stuck up in the ceiling (as many of them are), they’ll turn into giant dust bunnies.  Worse yet, you won’t know they’re giant dust bunnies because, as the saying goes, “out of sight, out of mind.” 

The MicroMatic course was held on the first day of CBC but it was the next day that the event really kicked-off with the keynote and general session.  This was a time for BA representatives and other beer folk to speak to the crowd, update the brewers on the state of craft beer, and basically get everybody psyched-up about being in such a cool industry.  A few key moments from the speeches:

When The Hick speaks, people listen
·         “Get your ass in gear,” says Gov. John Hickenlooper.  The beer geek’s favorite politician made a point that, aside from the historical Sam Adams, he’s the only brewer to have advanced to the gubernatorial level.  He challenged the crowd to get more involved in the world around them, run for election, and make a change in their community.  He argued brewery owners are uniquely qualified for the position: they have customer service skills, they’re collaborative, they care about quality and virtue, and they’re pragmatic.  I’d certainly like to see more brewers get involved in government because The Hick is right—brewers are of the people and they fight for the average, hard-working American.  Who will follow in Hickenlooper’s footsteps?  Mayor Chad Yakobson?  Senator Kim Jordan?  President Dale Katechis?  We’ll see what the future holds.
·         There are more breweries opening than closing but, with exponential growth in the industry, it’s only a matter of time before the number of closing breweries begins to rise.  Paul Gatza of the BA referred to the great brewery die-off of the 1990’s, claiming those with a passion for beer survived whereas those focused solely on making a buck closed shop.  Keep your humanity, brewers; don’t get spellbound by the Almighty Dollar and your business will last longer.
·         Gatza mentioned quality as a main concern for today’s craft brewer.  With so many new breweries opening, how many are actually good?  The industry as a whole needs to have high standards lest drinkers revert to corporate brewers; why spend the extra dough on craft when the quality isn’t there?  After visiting several new breweries at the most recent Great American Beer Festival (GABF), Gatza said 7 out of 10 of the beers he tried could, at the very least, use some tweaks.  Please, always be educating yourself brewers, and practice your craft until the day you retire.  Craft beer has come too far to start losing customers due to sub-par beer.  This plea goes out not only to the small and new brewers but to the big, well-established ones, too; anybody can become complacent.
·         The keynote speaker was Michael Pollan, a writer and foodie who, while not necessarily a “beer guy,” is an expert on all things consumable.  He doled out fascinating facts about beer and alcohol, discussed the science and history of the topic.  Some thought-provoking tidbits of information included the fact that squirrels bury acorns not in an effort to hide them but to ferment them.  This is probably done more to soften up the nut than it is to catch a buzz but it does make squirrels the only known animals besides humans that process their food before they eat it.  Pollan also said elephants have such a craving for alcohol that, in India, they’re known to tear down the walls of distilleries to get to the good stuff.  Brewers beware: if a circus train derails near your brewery, vacate the premises; Dumbo’s coming for you!

The BrewExpo America Trade Show was held in the same space as GABF and was just as overwhelming: rows upon rows of vendors all hawking their respective wares.  These included hop growers, malt farmers, yeast cultivators, canners and bottlers, equipment manufacturers, apparel companies, distributors, and representatives from every other possible niche in the brewing industry.  There were also beer pouring stations throughout the room; one needs a beer after being taken aback by the awesome sight that is the CBC trade show.

What is that?  I want that!
Walking the trade floor, I made a point to stop and sniff at all the hop farmer tables.  I love hops in my beer, of course, but just to take a handful, rub them together, and get a big whiff is a most pleasant olfactory experience.  For a visual spectacle, though, you can’t beat the Rube Goldberg-esque machines on display at the manufacturers’ booths; canning systems, bottling systems, automatic cleaning jets, robotic, keg-lifting arms were all operating and dazzling the crowd.  Watching those machine work, with all the whirling frenzy of moving parts is quite hypnotic.

 


The next seminar I attended was the Craft Malt Sensory Workshop wherein maltsters (the title is derived from “malt stirrer”) from across the country explained the status of today’s malt farms and how geography has a fairly large impact on the aroma and flavor of any given malt.  To showcase the diversity of malt, everybody was given six, simple beers that were exactly alike except the malts came from the far-flung farms of the six presenters.  Geography certainly does matter; some of the variations among the beers were slight, some obvious.  I’ll say one thing, though: gluten-free brewing grains will never stack-up to traditional malts.  I feel bad for people with celiac disease.  They drink a gluten-free beer and think they’re drinking beer but it’s not remotely the same.  To me, gluten-free beers have a dirty vegetable-like flavor and that icky taste really showed through at the sensory workshop where hops and yeast weren’t clamoring for attention.  My suggestion for casual gluten-free drinking: go with gluten-free hard cider—much better than gluten-free beer.    

Six malts from six maltsters
Lastly, I attended the OSHA seminar on brewery safety and how brewers can best mitigate the financial blow and social stigma of undergoing an OSHA review.  Some startling data was presented at this seminar:

·         The injury rate in the beverage industry is 6.5% whereas the national average is 3.4%.
·         Breweries are seven times more likely to be inspected than the national average.
·         The average OSHA brewery walk-through results in three citations and a total financial blow of $11,500 (although 22% result in no violations whatsoever).
·         40% of all OSHA inspections come as a result of employee complaints.  Brewers, listen to your employees; if they take issue with something, fix it before OSHA gets at you.
·         Be smart should OSHA come a’knockin’.  Keep the inspector focused on the task at hand.  If the complaint was about slippery floors in the brew space, don’t walk them through the distribution warehouse where they might find even more problems.  Brewers are also within their right to not re-enact day-to-day operations, one must tell, but not show.  If, say, a brewery tells a brewer that they carry sacks of grain from one room to another, that’s a vague but sufficient description.  If the brewer acts out the scene, the inspector might notice a stupid little detail (e.g. a small amount of grain falls out of the sack making for a hazardous walking area) that may result in a few hundred dollars in fines.

Although I did not attend, the biannual World Beer Cup (WBC) recipients were announced on the final day of CBC.  True to form, Colorado came out on top with 24 total medals (second most) and 10 gold medals (the most).  The closest competitor, California, walloped the field in the overall medal count with 35 but, with only 9 gold medals, Colorado eked them out in top honors.  Silver and bronze are nice but, as Ricky Bobby said, “If you ain’t first, you’re last.” 

These results mirror those of the 2013 GABF which begs the question: why do we still bicker about which is the best craft beer state?  There’s no argument.  Colorado is the best.  California and some other states have a larger quantity of breweries but that’s not the same as quality.  That’s how California gets so many overall medals—lots of breweries equals lots of competition submissions equals a better chance at snagging a prize.  But not necessarily a first-place prize, which are the ones that really matter.  If Colorado had achieved the most gold medals and no silvers or bronzes, I’d still say Colorado is the best. 

There are different ways to assess the quality of something so subjective as beer but the closest we’ll ever get to a scientific evaluation is with the WBC and GABF—they’re conducted via blind taste tests with trained and certified beer judges.  There’s no bias involved and judges’ palates are acute to every minute detail.

Some may argue WBC and GABF are flawed because not every brewer sends a beer in to be assessed.  There is a hefty fee associated with each submission and that can be a deterrent.  That’s no excuse for one state winning fewer medals than another, though; if a brewer has something really special on their hands, they’ll pony up the dough.  The submission fee is mere pennies when compared to the reputation gained through a WBC or GABF win.  Many brewers wisely hold on to their money because, while their beer may be quite tasty, they know it’s not going to break the top three.  Lack of entrants does not mar the results because the best of the best always comes ready to play.

So, Colorado is the best.  End of debate.  Other states make great beer, too, but there can only be one champion.  The guy who comes in second to Usain Bolts is one quick S.O.B. but he doesn’t get to stand on the highest podium.  Maybe the standings will change in coming years, maybe other states will start winning more gold medals than Colorado, and, when that happens, Colorado will have to abdicate the throne.  Until then, however, we’re top o’ the heap. 

Again I say, my time at CBC was a mere slice of the whole.  Other attendees may well have had a completely different experience than mine but I guess that’s the beauty of CBC; it forces the brewing community to come together, share their experiences, and teach other brewers.  It opens a dialogue and, eventually, all the knowledge and information from CBC gets around to everybody.  That is how I like to view the craft beer world: open, honest, helpful.  Thank you, CBC, for promoting that communal culture.

Prost!


Chris         

P.S. Please enjoy these additional photos from the trade show.









Tuesday, April 8, 2014

Conquering Boulder (For Now)

Short lived victories are victories nonetheless.  When A-Basin blows enough snow for Fourth of July skiing, that’s a victory even if the slopes are slush by the fifth.  When the Colorado Rockies hit a homer in the first inning, they’ll celebrate the run even when a routing in the ninth is imminent.  And, when beer geeks like me and Nicole “conquer” a city—visit every brewery within city limits—we’ll cheers to that even as new breweries are under construction, ready themselves for opening and nullify our accomplishment.  That’s the situation in which Nicole and I find ourselves; after recently stopping by The Kettle & Stone Brewing Co., Sanitas Brewing Co., and J. Wells Brewery, we’ve drank at every brewery in Boulder.  For now.  In fact, this is the second time we’ve been able to claim such a feat; Boulder just won’t stay down. 

Kettle & Stone
First up, Kettle & Stone, located well north of central Boulder in the grasslands off Diagonal Highway and tucked deep into a business park complex.  It’s far from the hustle and bustle of college kids and the panhandling hippies of Pearl Street; it’s a quiet nook surrounded by suburban homes, prairie dogs, and the occasional passing freight train.  It is place that’s found only if sought; one doesn’t simply stumble upon Kettle & Stone.

Aside from a catalog-bought beer flag staked into the front lawn, there’s not much signage indicating there’s a brewery waiting within.  Kettle & Stone writes their name on the front door and on the sign at the parking lot entrance but neither really pop out to the passing driver; at a glance, the sign for Kettle & Stone might as well be for a tech company or a welding service.

The interior is a bit comfier.  A corner lounge with leather couch, butcher block-thick slabs of wood acting as high-top tables (as well as the bar top), and metal/wood/chalkboard accents behind the bar makes Kettle & Stone a welcoming little oasis of creativity in a gray, faceless setting. 




Nicole ordered the house ginger ale and I had tasters of Momentum IPA (5.7% ABV), American Bold Ale (7.2% ABV), and American Bold’s bigger brother, Bolder (11.7% ABV).

Left to right: Momentum, American Bold Ale, Bolder 
Technically not sessionable (but, in practice, sessionable), Momentum is a brassy orange color.  It’s not entirely opaque but it’s not entirely see-through, either.  The aroma is quite faint and one could almost say this IPA is bready, more yeast-forward than hop-forward.  The flavor, likewise, is light on hops and very mild on bitterness.  There’s a little lingering bitter in the aftertaste but nothing significant.  Overall, the flavor is akin to orange citrus with the tamest touch of hops.  It’s an intro-level IPA, a great beer to introduce to the hop adverse.     

American Bold Ale is essentially clear and boasts a deep ruby/amber color.  Scents of caramel and toffee abound.  Upon first sip, this beer reveals itself as a thick and creamy elixir resplendent with caramel flavors and aggressive hops. 

The ‘roided up version of American Bold Ale, Bolder looks like its weaker brethren except a shade darker.  There’s both a big hop and big malt nose to this monster and complex malt flavors of raisin and leather and underlying sweetness make Bolder an experts-only beer.  The 11.7% ABV makes itself know with an alcohol burn that continues to build with each swallow.


Leaving Kettle & Stone—that beer sanctuary in the steppes—we headed south, followed the tracks of the aforementioned freight train, and came across yet another complex, this one a bit grittier, more industrial than the white-collar surroundings of Kettle & Stone.  Metal siding, raised loading dock doors, and one, simple, owl-bedecked white sign reading “Sanitas Brewing Co.,” greeted us as we parked our car.  It seemed like a good setting to off a stoolie or conduct a covert meeting with the CIA.  Then we saw a sign for the taproom pointing us around the corner and, oh, what a difference a corner makes!

A pergola of weathered wood sporting a large, rusted cut-out of the Sanitas owl waited on the other side of the warehouse, beckoning us, welcoming us.  The rustic warmth of Sanitas’ entrance stands in stark contrast to the monochromatic box that is the rest of the building. 

Once inside, I was blown away by the hip and artistic ambiance.  The Sanitas taproom may not be the most beautiful taproom I’ve ever seen but its right up there (it certainly features the largest disproportion between exterior and interior beauty).  Natural wood drop-down panels mask the gaping maw of the vast, black ceiling, floor-to-ceiling glass walls partition the brew room and a small conference room from the taproom, bright, white tiling behind the bar recalls the architecture of an old-timey train depot, and the spacious patio runs alongside an active railroad; in Denver, it’s fun to raise a glass to the Light Rail as it passes Strange Brewing Company’s biergarten; it’s the same principle at Sanitas—it’s just that the train is on a much, much larger scale.





We ordered a flight of three:  Winter Saison (9% ABV), Boulder Common Hoppy Pale Lager (6.6% ABV), and Train 3 American Rye Mild (4.2% ABV).

Left to right: Winter Saison, Boulder Common, Train 3
The Winter Saison is a clear amber color with an exceptionally fruity nose—like fruit juice, apricot, cherry, or plum (or perhaps all of those things at once).  There’s a tingly zip on the tip of the tongue and it finishes a touch sour.  Winter Saison feels thicker than most saisons but, then again, it is a winter saison so a little extra heft would make sense. 

I found Boulder Common to be quite refreshing and herbaceous.  Golden yellow and crystal clear, this beer features an aroma and flavor of grassy, smoky hops.  There’s also an onion-like quality in the aftertaste.  It’s a woodsy, natural flavor like a forager’s tea.

Golden yellow like Boulder Common but with more opacity, Train 3 wafts a lemony scent that carries over into the flavor.  Also noticeable in the flavor is the rye which imparts a touch of its recognizable spice. 

While sipping our brews, Nicole and I had a nice chat with Sanitas’ co-founder and brewer, Chris Coyne, who told us an interesting anecdote about the passing trains.  Apparently, since Sanitas is so close to the tracks and because they usually have a food vendor on-site, the conductors have turned Sanitas into the locomotive equivalent of a drive-through.  Planning miles in advance (because it takes a few minutes to bring a train to a full and complete stop), the railway workers park their engine in front of the brewery, jump out, and grab a bite to eat before continuing on.  Coyne was quick to assure us they never came in for beer, though, so don’t call your local railroad union to complain about drunk conductors. 


Our last stop of the day—the last brewery we’ve yet to visit in Boulder—was J. Wells Brewery.  If we thought finding Kettle & Stone was akin to searching for a contact lens in a house of mirrors and if the first impression of Sanitas was that of the loading docks scene in any gangster movie then J. Wells is the even extreme version of both.  A few doors down in a row of narrow garages, there’s nothing save for a nondescript, red sign indicating the space is a taproom, not a chop shop.  That theme of no-theme carries into the interior which is a practice in minimalism, the essence of function over form.  Have you ever seen the Simpsons episode of “Homer the Moe” in which Homer opens a bar in his own garage?  That’s pretty much all J. Wells is—a bar in a garage.  And that’s all it needs to be; let the beer speak for itself and let your company be your entertainment. 




It makes me wonder exactly what type of taproom is most attractive to me.  I certainly enjoy the hipster artistry of places like BRU Handbuilt Ales and Black Shirt Brewing Co. and I also enjoy the clubhouse/speakeasy feel of breweries like J. Wells and Wit’s End Brewing Company.  I like the spacious grandeur of the big guys, Odell Brewing Co. and New Belgium Brewing, and I get a kick out of the coziness that defines Saint Patrick’s Brewing Company and Golden City Brewery.  In the end, I like a wide array of taprooms.  I just don’t like the ones that look like a T.G.I. Friday’s: leather booth seating, stupid, faux-antique crap hanging off the walls, and *shudder* placemats.  Just be authentic and you’ll be a taproom I can get behind.

Getting back to J. Wells, we ordered four tasters including Chocolate Milk Stout (5% ABV), Defiance (3.9% ABV), Niad (4.5% ABV), and Lisa (6% ABV).

From near to far: Chocolate Milk Stout, Defiance, Niad, Lisa, Nicole's face

Chocolate Milk Stout is exactly what you’d think: chocolate-y and milky.  It’s a dark, black beer with red highlights, a mild roasted flavor, and a creamy, silky-smooth finish.
Table at J. Wells

An English bitter on cask, Defiance sports a cloudy brown-red body and gives off aromas and flavors that are very caramel-forward.

Niad, an English brown ale, is actually a deep mahogany color with hints of toffee and chocolate on both the nose and palate.

Lisa is an Irish red that is, indeed, red in color—blood red, one might say.  There’s a mild hop aroma mixed in with notes of biscuit and it tastes a bit bitter but with a strong malt backbone keeping the hops in check.   

With the visit to J. Wells, Nicole and I once again brought out our inner Genghis Khan, conquering whole swathes of land in the name of beer.  Alas, even as kingdoms fall, they amass new armies to taunt us, lure us back to their shores.  Boulder may be under our rule now but I know, somewhere in a quiet corner of Boulder, there’re plans to open yet another brewery.  And when that day comes, we’ll be there.  We’ll see you soon, Boulder. 

Prost!

Chris

Since I’m the designated driver on most of our sudsy adventures, I only allow myself a few sips of beer.  However, I can still quench my thirst with homebrewed ginger ale or root beer.  Kettle & Stone, for example, has a delicious ginger ale packed with lemon, ginger, and pineapple—perfect for a sunny summer day playing cornhole or hanging out at the park.


Nicole 

Wednesday, March 19, 2014

Diebolt: Brassage de la fierté de la France

Typically, I write epic tales of hopping from one brewery to another, of traveling cross-country, stopping at taprooms along the way, and of colossal beer festivals spanning entire convention room floors, mountainous valleys, or zoological parks.  Sometimes, however, Nicole and I just plain visit a new brewery—no pageantry, no over-arching storyline, just beer.  Still, as supporters of the Colorado craft beer scene, we want to give all local breweries their due publicity regardless of whether or not it’s within an interesting context.  Good beer is good beer even if nothing adventurous surrounded our visit.  Thus, this mini update on Diebolt Brewing (which, because of my propensity for long-windedness, isn’t all that mini).



Diebolt is a practice in juxtaposition.  On one hand, the building in which it resides is a bit rough around the edges: industrial brick walls, loading dock doors, and metal screens over the windows.  It doesn’t look like a brewery, it looks like a place where the mafia would take you to get wacked.  The interior, if you were to remove the fanciful artwork adorning the space, continues the theme, gives off warehouse vibes.  One might assume Diebolt’s a sketchy place where only cheap whisky and diesel beer is served.  But you’d be wrong.  I haven’t yet talked about what’s on the other hand.

The owners of Diebolt have a strong, proud, French ancestry, even claiming they have “distant relatives currently making champagne in the Alsace Lorraine region of France.”  Backed up by this Gallic heritage, Diebolt specializes in French-style ales and, while it’s stereotypical to assume anything French is automatically high-class, cultured, it’s generally more true than not and, specifically to beer, it’s definitely true. 

Granted, much of what constitutes “French ale”—such as saison—is actually from the French-speaking region of Belgium AKA Wallonia.  Borders are no more than imaginary lines on a map, though; whether from the south of Belgium or the north of France, the people on either side of the line are connected by language, a shared history, and I imagine a similar genetic make-up.  What’s the difference between the Walloons and the northern French?  Not much (if anything) ergo France ought to feel as strong a national pride for these beers as Belgium.  Of course, there are a few beer styles such as bière de garde that’re actually from France-proper; not all French ales fall into a gray area, our amis have a few beers they can 100% call their own.  They don’t have to coast solely on what their northern neighbors are brewing.

While not all the beers at Diebolt are French-inspired (they also have the usual suspects: IPA, porter, wheat…etc.), I wanted to drink the fierté de la France so I ordered A Votre Sante Winter Bière de Garde (8.1% ABV, 21 IBU).  I must admit, I’m not well-versed in the bière de garde style.  Quite frankly, it’s not popular among American brewers; it’s a rare treat for the U.S. beer geek.  I could go on and on about IPAs because they’re the darlings of the craft beer movement, the poster child.  Bière de garde, on the other hand, is some weird, saison-like oddity you hardly see.  It’s not well known and that’s exactly why I ordered it; I’m always looking to broaden my beery horizons. 

A Votre Sante is a very deep, murky-red/brown beer with a slightly off-white head.  The aroma suggests a mild sweetness and a raisin-like quality and the flavor, while not domineering, is accompanied by a little alcoholic burn.  One might describe the taste of A Votre Sante as a bit funky, musty, and prune-like.  I would deem it a more advanced, more complex saison.   

A Votre Sante
And so concludes this mini update on Diebolt.  I’ll end the post with a thought on the Denver beer scene:  as more and more breweries open, cementing the Mile High City’s status as the premier craft beer metro, it’s important for new breweries to differentiate themselves.  Diebolt has done just that.  Where else but Diebolt specializes in French beer?  France isn’t the first nation that comes to mind when one thinks of great beer countries but Diebolt found a niche and filled it.  Seriously, with the I-don’t-even-know-how-many breweries in Colorado, I can only think of, like, 2 or 3 where I’ve seen a bière de garde on the menu.  A word to the wise craft brewer—follow Diebolt’s lead, find an untouched demographic, and tap it.

Prost!


Chris        

Friday, February 28, 2014

Two22, The BoB, and Late Posts

The beauty of Beer in Colorado, a personal travel journal as much as it is a beer blog, is Nicole and I can rack up fun experiences, let the memories simmer a few days, and then write a post on it after we’ve had time to digest it all.  As far as you, the reader, know, the time between our little brewery trips and our blog postings about said trips are a narrow window, less than 24 hours, probably.  In actuality, it’s not uncommon for us to sit on a story for a week or so before it goes live. 




It’s not because we’re procrastinators, far from it.  Nicole and I are both quite active, even frenetic, and we hate missing deadlines.  It’s just that life gets in the way.  Sometimes there are more pertinent, time-sensitive articles that need to go out first so we put less significant articles on the backburner (when big events like Great American Beer Festival [GABF] come around, we make absolutely sure our posts are written in a timely manner; our lateness would be pretty obvious if we wrote a GABF article in December).  Sometimes we’re on a road trip, away from our computer, so we have to wait until we’re home before we can begin to compose a post.  Sometimes we just plain forget.  At any rate, we get around to posting our adventures eventually and try to do so in a manner where it appears up-to-date because, frankly, nobody wants to read what appears to be stale news (when I use the word “recently” in a post, for example, that can mean anything from a day ago to a week or two ago). 

However, from time to time, it’s better to admit when an article is behind the times instead of covering up its past-due date.  Great example: the grand opening of Two22 Brew in Centennial, Colorado.  I could pretend like it happened just yesterday but I can’t.  I can’t because “Two22” is so much more than the name of the brewery—it’s also the date of it’s opening: February 22nd or 2/22.

Two22 is likely the most charitable brewery you’ll visit; its name is derived from the fact that $2.22 out of every $10 of profit is donated to the Schuster Family Foundation, an organization that grants funds to various charities ranging in interest from education to environmental issues to youth and personal enrichment programs.  Two22 is beer with a conscience.

Wall of charity at Two22
Nicole and I can relate to the owners of Two22, a married couple who, as former teachers, felt unfulfilled in their occupation so they founded their own brewery instead.  I totally understand how the teaching profession can beat the motivation out of anybody.  Snotty kids.  Irate parents.  Ineffective administration.  Clueless politicians telling you how to do your job.  A public that consistently votes down school funding bonds.  A paycheck that seems a cruel joke.  Oh, yeah; I’ve been there, done that, and felt the hollow void where once my rose-colored naïveté resided.  God bless her, Nicole has a stronger constitution than I and is still in the profession, but she understands the hardships of being a teacher quite well.  While I champion all teachers, I also applaud the owners of Two22 for following their dreams and still making a positive impact on society. 

On opening day, Two22 featured Blonde Ale (4.8% ABV, 51 IBU), Session IPA (4.3% ABV, 94 IBU), Simcoe IPA (6.4 % ABV, 80 IBU), Milk Stout (5.3% ABV, 73 IBU), Centennial Chocolate Porter (4.9% ABV, 43 IBU), and Red Cinnamon.  Nicole and I got a flight of everything except Red Cinnamon because we arrived at noon and that particular beer wasn’t going to be tapped until later (at 2:22 pm, actually).


Left to right: Blonde, Session IPA, Milk Stout, Simcoe IPA, & Centennial Chocolate Porter

The Blonde Ale is a tad hazy in it’s pale, straw yellow body and the aroma is bready, yeasty, and with a twist of lemon zest.  It’s a light, crisp beer with but a touch of bitterness in the back of the mouth.

Despite an IBU rating of 94, Session IPA doesn’t show its hoppiness.  I’d almost call it a malty beer before I called it a hoppy beer because even Nicole, who hates extra hoppy beers, said she actually liked this one.  It, too, is hazy and is a yellowish amber color.

Simcoe IPA looks much like its sessionable brethren but sets itself apart with a nose full of grapefruit and a flavor resplendent with tolerably bitter, citrusy, tropical goodness. 

I found the Milk Stout and the Centennial Chocolate Porter to be quite similar.  They’re both dark beers, of course, with the stout featuring brown highlights and the porter featuring red highlights.  They both feature a great deal of chocolate in the aroma and flavor and they both feature a mild roast (the stout being a bit roastier than the porter).  I felt the porter actually had a creamier Mouthfeel; I almost wonder if I confused the two when I drank myself down the flight. 


In the future, Two22 will use customer feedback to guide their taplist, narrowing the six beers on opening day down to four flagships.  The remaining three taps will be reserved for rotating seasonals.  The tap lines at Two22 are set up for 10 beers so the brewers will be adding even more offerings including experiments with different yeast strains so keep tabs on these brewers; there’s still plenty to come from them. 

After munching on some spectacular arepas from the Freddy’s Cuisine food truck and chatting it up with like-minded beer geeks, Nicole and I started heading home.  But then we decided, since we were in the area, we might as well check out some other breweries we’ve yet to visit.  So, we stopped by The Brew on Broadway (The BoB) for an another drink.


The main marquee at The BoB
Backstage at The BoB

The exterior of The BoB, a brewery/coffee shop, lives up to its Great White Way namesake with a marquee sign (although Nicole and I opted for the backstage entrance in the alley).  The interior of The BoB is wide-open with a dark, wooden bar, exposed brick walls, art hanging everywhere, and a row of garage doors opening up onto a large patio space.  The coffee shop portion is situated at the front of the room as is a sitting space with plush, leather chairs.  In terms of ambiance, I’d say The BoB leans more towards the coffee shop side of its hybrid business concept. 


Cedar Mountain
I ordered a pint of Cedar Mountain Smoked ESB (6% ABV, 71 IBU), a beer that’s mostly clear but with a drop of haze.  It is copper in color and smells woodsy, mildly charred while the flavor’s akin to a long-extinguished campfire with a toasted, untreated-wood bitterness.

When we finished our beers at The BoB, we headed home (for real this time).  Our trip to the southern suburbs got me thinking: to me, everything below Hampden is a brewery black hole.  No, I don’t mean there aren’t breweries there, but I do mean that, with some exceptions (e.g. Dry Dock Brewing Co. because it’s becoming such a major player in the Colorado brewing scene), I hardly ever hear any updates from the southern breweries and, sometimes, I don’t even hear about new ones opening (I didn’t know about St. Patrick’s Brewing Company until a few days ago and Hall Brewing Co. was well on their way before I caught wind of them).  This is odd since I make it my business to know about new breweries in Colorado—anywhere in Colorado—yet, amazingly, I’m more knowledgeable about breweries in Boulder, Ft. Collins, and the mountains than I am about breweries in my own metro area.  I often wonder why.  Do the Denver media sources ignore the southern ‘burbs?  Do the breweries down there keep their advertising campaigns localized, focusing only on their immediate surroundings?  Is it just because I haven’t been paying attention?  I don’t know but, after visiting Two22 and The BoB, I’ll be sure to keep my ear closer to ground, stay abreast of the goings-on in the meridional sections of the Denver area, and make sure I write about Nicole and I’s southerly journeys in timely fashion (“timely” as far as you’re aware, that is).

Prost! 

Chris   


Coffee shop at The BoB
Behind the bar at The BoB
Inside The BoB
Get your brewery passport stamped at The BoB